300 review, 300 DVD review, 300 Blu-ray review
Gerard Butler, Lena Headey, David Wenham, Vincent Regan, Rodrigo Santoro, Dominic West
Zack Snyder

Reviewed by David Medsker



had an interesting conversation with one of my fellow movie critic friends on the way out of “300.” He was just as excited to see it as I was, but afterwards, the first word he used to describe it was “lame,” that it was nothing but slo-mo swordplay and green screen work. I found this puzzling, since every trailer for the movie shows nothing but slo-mo swordplay and green screen work. Wasn’t the movie, then, exactly what the ads – the very things that got him so excited in the first place – proclaimed it to be? And if so, why was he so disappointed to get exactly what the movie promised?

In fairness to him, the movie, while gorgeously shot and assembled, is crazy silly. It’s bloodier than Mel Gibson’s most masturbatory fantasies, but what do you want from an adaptation of a Frank Miller graphic novel? These kinds of movies need their own scale of measurement, since they’re designed to look better than they read from the opening credits. If you’re looking for a comic book-style version of “Gladiator,” turn off your mind, relax, and float downstream, as John Lennon once said.

Gerard Butler stars as Leonidas, the king of the Greek city of Sparta, who receives word that the Persians are mounting an invasion of Greece. The Persian army grossly outnumber the Spartans’ (nearly a million to one, no joke), but they underestimate the Spartans’ pride by a country mile, and Leonidas sends a message to the Persian ruler Xerxes (Rodrigo Santoro) that he is not to be trifled with by literally killing Xerxes’ messenger. Leonidas has a plan to hold off the Persians by using a corridor by the ocean, and he brings 300 of the strongest, meanest Spartans with him to show the Persians that they will not go quietly. While he’s away, his wife Gorgo (Lena Headey) does her best to persuade the Greek council that they need to commit more troops to the effort before they’re all enslaved by Xerxes, but the only person who’s willing to listen is Theron (Dominic West), who has an agenda of his own.

There’s a saying that God is in the details, but in this case, that means that God is in the manner in which the bare breasts all possess nipples that stick out a good inch and change. This may be where my fellow critic started losing interest, since there was nothing erotic about any of the breast shots to begin with, and therefore made the filmmakers’ obsession with pointy nipples grossly gratuitous. Sure, it looks great, but what does it mean within the context of the movie? The political intrigue is not enough to balance the colorful swordplay either, since “Rome” absolutely takes them to school in the cutthroat-diplomacy department. Indeed, the dialogue mostly hangs in the air in that we’re-explaining-the-plot-here-so-pay-attention kind of way.

That brings us back to the battle sequences and the visuals, and let me tell you, they are everything you are expecting and more. They even have the nerve to kill the animals that their opponents ride in battle (you joke, but haven’t you noticed how no one would dare to get an advantage on a guy in a movie by killing his horse?). Yes, it’s almost entirely shot in slo-mo, but those slo-mo shots are sweet, usually consisting of lengthy one-take sequences that could not have been easy to choreograph.

To use a painfully overused cliché, “300” is what it is, an artfully assembled gorefest that features one person after another getting speared to death. I asked my colleague what he didn’t get from the movie that he was looking for, and he said, “More story.” That’s fair, I suppose, but the story he wanted was the political one, not the war story. Now, imagine “Gladiator” if it had contained more political intrigue than fighting. Doesn’t sound nearly as interesting, does it? That’s not to say that “300” couldn’t have used more story, but rather that movies like “300” don’t live and die by story alone. If you want blood, they’ve got it. If you want more than that, well, that’s your problem.

The Complete Experience Blu-Ray Review:

With the number of different versions already available, Zack Snyder’s “300” is quickly shaping up to be the new “Army of Darkness.” Of course, it’ll be hard for Warner Bros. to milk the movie any more now that they’ve put out The Complete Experience, because unlike last year’s Limited Collector’s Edition, this is one release well worth the double-dip. All of the extras from the previous versions have been preserved (except for the “To the Hot Gates: A Legend Retold” documentary”), but the real standout is “The Complete 300: A Comprehensive Immersion,” a new interactive experience that delivers picture-in-picture video, trivia and mini-featurettes for three unique perspectives: Creating a Legend, Bringing the Legend to Life, and The History Behind the Myth. Better yet, a three-button HUD in the top left corner of the screen alerts you whenever new material is available, so you can either skip around or stick to one set path. Director Zack Snyder has also recorded a new commentary track where he compares the finished film to the blue screen composite (shown via picture-in-picture), while the original test footage that Snyder shot for Warner Bros. is no longer hidden as an Easter Egg. Oh yeah, and the movie looks amazing in HD, but you really didn’t need us to tell you that, now did you?

Photo Gallery

You can follow us on Twitter and Facebook for content updates. Also, sign up for our email list for weekly updates and check us out on Google+ as well.