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The single most detracting thing from this album is the absolutely lifeless drum tracks (on the nine studio songs). I don’t know if they were looped, programmed or created in ProTools, but they are lifeless and distracting. The guitar work is solid, and when Delp sings or during Dahme’s beautiful ballad, the album is good. When Cosmo takes over and Delp supports, the songs just don’t have the same kick. Cosmo is solid, but the sound just doesn’t have the same distinctive quality with Delp as the lead. I applaud Scholtz for taking chances and making his creative circle a little larger by including contributions from new musicians, a big step for a notorious perfectionist and do-it-yourself guy. I just don’t think he has the new configuration evenly balanced or figured out yet. I hope it’s not another five to eight years before another Boston album is released (and I hope Delp does most of the leads and Dahme gets a bigger role when it does happen), because my curiosity has been re-ignited. They get a B for effort and a C- for execution. ~R. David Smola pretendcritic@aol.com
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