- Indie Rock
- 2007
- Buy the CD
Reviewed by Josh Preston
()
Even the possibility of audible political dissension left myself and other Death Cab for Cutie fans salivating and, at the same time, sent the music blogs of the world into a tizzy. Could Field Manual really be powerful enough, and make such a profound statement, to awaken the ire of the US government? Well, the moment of truth has arrived...
To be sure, the melodic sensibilities and earth-shattering production are well intact and will correlate nicely with all of your other favorite Barsuk releases. The production is nothing short of astounding, and by listen number 1.5, you'll be humming along to most of the songs on the record. However, it’s hard to escape feeling like the elements that make this record sound great may be a bit too intact. Could it be that, if the thematic concept of Field Manual is that of dissent, it was a mistake to make it sound so damn pretty?
Maybe it's the simple fact that with music and a presentation this stellar, there’s an underlying expectation to hear Ben Gibbard singing and rattling off the prose that only he can provide. Maybe if this release had come a bit sooner on the heels of the last Death Cab record, the first impression Field Manual left might have been substantially greater. And God, I feel like a political traitor of sorts myself by stating the following: Chris Walla just isn't a great singer. Come to think of it, if there’s one thing that the production is lacking, it’s strong vocals. Walla’s singing is buried in the mix on nearly every tune, and this move may very well have been deliberate. Still, the lack of Ben Gibbard’s voice shouldn’t detract from your experience with this record, and if you've never heard Death Cab for Cutie, it will be a lovely introduction to their near-perfect sound. At the end of the day, Field Manual is just further proof that first impressions aren’t always what they appear to be.
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