Through These Walls
- Pop
- 2008
- Buy the CD
Reviewed by Jeff Giles
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Of course, she doesn’t entirely escape her youth on Through These Walls, which isn’t really a bad thing; if her material isn’t blessed with the universality or emotional heft of her peers, neither does it often stray into the maudlin and/or excessively mellow territory stereotypically favored by performing songwriters. McRae counts Chicago and Earth, Wind & Fire among her biggest influences, and that’s easy to pick out here, thanks in large part to the bright splashes of Charlie Calello-arranged horns that grace wide swaths of the album. The end result is an album that manages to season modern pop energy with time-honored tricks of the songwriting trade more effectively than most.
It’s the horns that really set McRae apart, however – not her songs, which tend toward the pedestrian. She refers to the dozen songs on Through These Walls as “raw,” but that’s a curious way to describe a set that relies so heavily on shopworn MOR clichés – and was mixed with the same artificially bright sheen you can hear on recent albums by pretty much any young pop artist (courtesy of Michael H. Brauer, who, one suspects, may not even be in the room for his own mixes anymore). The album is undeniably well-crafted, and it’ll fit in snugly among the other CDs on the Starbucks racks, but it sounds more like the work of a young Berklee grad than someone who has truly suffered for her art.
All of which is to be expected, really – and at the end of the day, it’s just pop music, and Hilary McRae makes it exceptionally well. She’s already got a way with a hook, and her affection for those aforementioned “heritage acts” can only bring her closer to the mark on subsequent efforts. In the meantime, tracks like “Every Day (When Will You Be Mine)” and “Waiting” should help her win friends and influence people in her target demographic. If it isn’t an earth-shattering debut, it’s certainly an auspicious one.
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